Projects

Each project begins as a place before it becomes a story.

My work moves across landscapes, cultures, and mediums — but always begins with the same question:
What does this place want to become?

These are not standalone works. They are chapters in a longer unfolding.

Cinematic Works

Living stories shaped by movement, light, and breath.

My films are built the way environments are discovered — slowly, intuitively, and with reverence for what already exists. I work with natural light, real locations, and non-performative presence to create cinematic pieces that feel lived rather than staged.

• Short-form cinematic films
• Visual essays
• Concept trailers
• Atmospheric narrative studies

Each film is an entry point — not a conclusion.

Photography

Stillness as a form of listening.

My photography is rooted in place — deserts, ruins, mountains, thresholds, and the quiet dialogue between human presence and architecture. I photograph what remains after the noise leaves.

• Landscape and sacred geography
• Architectural and spatial studies
• Environmental portraiture
• Travel-based visual narratives

These images are not documentation. They are conversations.

Creative Builds & Physical Spaces

Stories you can walk into.

Some projects require more than image and motion — they require structure, material, and physical engagement. These builds range from conceptual environments to functional structures designed with story embedded into the architecture itself.

• Set construction and spatial environments
• Conceptual installations
• Nature-integrated builds
• Story-driven physical spaces

Form follows feeling. Structure follows meaning.

Long-Form Narrative Projects

Works that take years — and ask for patience.

Certain stories cannot be rushed. These projects evolve across time, travel, and lived experience. They are not content — they are callings.

• Feature-length narrative developments
• Documentary and hybrid formats
• Mythic and location-based storytelling
• Experimental long-form cinema

These are worlds in progress.

Current Direction

My present work is focused on three ongoing threads:

• Place-based cinematic storytelling
• Landscape-rooted visual studies
• Long-form narrative world-building

Each informs the others. None exists alone.

Every project is an invitation — not to watch, but to enter.